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Dance turns into therapeutic within the mid to late twentieth century

A brand new open-access piece within the Journal of the Historical past of the Behavioral Sciences will curiosity AHP readers: “Dance turns into therapeutic within the mid to late twentieth century,” Janka Kormos. Summary:

The convergence of dance artwork and therapeutic tradition engendered the event of dance-movement remedy within the mid to late twentieth century internationally. This text traces the sociopolitical, institutional, and aesthetic influences that coalesced on this course of by contrasting histories of dance-movement remedy in Hungary and in the USA. The professionalization dance-movement remedy, by which it established its personal idea, observe, and coaching establishments, occurred first in the USA within the late Forties. Fashionable dancers in the USA started to conceptualize their exercise as therapeutic, and the dancer as a (secular) healer, a therapist. The inflow of therapeutic ideas into the sector of dance is considered for example of therapeutic discourse permeating numerous areas of life within the twentieth century. The Hungarian case offers a contrasting historical past of therapeutic tradition, one which deviates from the predominant view of the phenomenon as a product of the worldwide unfold of Western modernization and the expansion of free-market capitalism. Hungarian motion and dance remedy certainly developed independently from its American predecessor. Its historical past is intimately tied to the sociopolitical context of state-socialist interval, significantly to the institutionalization of psychotherapy in public hospitals, and to the variation of Western group psychotherapies throughout the casual setting of the “second public sphere.” The legacy of Michael Balint and the British object-relations college offered its theoretical framework. Its methodology was rooted in postmodern dance. The methodological variations between American dance-movement remedy and the Hungarian technique displays the shift in dance aesthetics that occurred internationally between 1940 and Eighties.

About Jacy Younger

Jacy Younger is a professor at Quest College Canada. A crucial feminist psychologist and historian of psychology, she is dedicated to crucial pedagogy and public engagement with feminist psychology and the historical past of the self-discipline.

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